Tonight we present five shows from earlier this week--four chosen by our panel, and the fifth by audience vote, as the shows they would most like to see again.

Edge of the Looking Glass, by Dee Travis, adapt. Dee Travis & Nathan Jerkins. Adapted from Dee Travis's 2011 science fiction short story, Edge of the Looking Glass tells the story of Samantha, Lewis, and humanity's increasing reliance on the Embedded Network Apparatus.

Christopher-Michael Presents: The Hootie Hoo Spoken Word Review, by Christopher-Michael, Jeanine Krueger, Robert Smith. The three writer/performers will attempt to create one cohesive story compiled from several poems individually created for the purpose of competitive slam poetry.

How to Wear Your Back Pack, by Pete Betcher, Katie Kohler, Justin Morley, Jeremiah Rosenberger. Fast-paced movement piece where performers wear giant pads of paper which form various props, costumes and scenery throughout the piece. Very energetic, original, and hilarious.

All About a Boy, by Mariah MacCarthy. Cambiare Productions, in association with CAPS LOCK Theatre, presents All About a Boy. Written by New York Innovative Theatre Best Play nominee Mariah MacCarthy, All About a Boy is what happens when two women go to war over the arm candy. A simple turf battle spirals into absurdity as the combatants shuck expectation and traditional gender roles to win at all costs. Performed by Elena Weinberg and Mallory Larson.

Lonely Highway, by Hans Frank. A transcendental minstrel in the tradition of Li'l Abner and Dr. Faustus. Named FronteraFest 2002 Best of Fest and recipient of an Austin Critics Circle Award, Lonely Highway returns to FronteraFest 2013.

Tonight we present five shows from earlier this week--four chosen by our panel, and the fifth by audience vote, as the shows they would most like to see again.

Kazmir, by Paul Kastava. Kazmir is a short play about a die-hard New York Mets fan who comes into contact with the owner of the Mets while on his anniversary dinner. Will he try to save his marriage or his favorite team?

EHD, by Charley Devany. A one-man play based on the writings and life of my father. Directed by Shawn Hinkle and Gregg Moore.

Rabbi Lipschtick & Sons, by Rebecca Karpovsky, Amanda Lundquist and Jules Pashall. An interactive performance by The Lipschtick Collective exploring a world of blurred gender and identities using queer and Jewish aesthetics.
 
Kevorkian's Cat, by Maggie Gallant. Vicki really doesn't hate all cats. But it's hard to prepare your husband for his wedding day when the nursing home's fuzzy grim reaper won't bugger off.
 
oh....Shhhhhhh....my alien children are trying to kill me, written and performed by Zell Miller, III (Featured Alum). This combination performance piece will feature excerpts from the award winning play "My child...my child...my alien child" that was first performed at FronteraFest and the critically acclaimed "oh....shit. it's a girl." Come sit in the mind and heart of a theater artist who balances his the muse of his creativity with being a father to two of the most amazing and challenging children God ever created. 

Tonight we present five shows from earlier this week--four chosen by our panel, and the fifth by audience vote, as the shows they would most like to see again.

The Masterpiece, by Patrick Knisely, Jay Byrd, Ammon Taylor. Surreal improv inspired by the works of David Lynch, Frank Zappa, and Salvador Dali.

Dark King Kills Unicorn, by Reina Hardy (ScriptWorks Commission), directed by P. Tyson Midkiff. In this 20-minute epic fantasy, two legendary warriors meet for battle, and mostly talk about girls. Contains romance, adventure, heartbreak and a man-on-unicorn fight.

The Blissful Orphans, by Kyle John Schmidt. After the last orphan is adopted, the proprietors of a Dickensian orphanage face an empty nest, a life crisis, and a surplus of whimsical bonnets. Directed by Elizabeth C. Lay.

I Put My Love Right Cheer So's I Wouldn't Fergit Where It Was, But Somebody Stole'd It, by Tooper Tater (Emily Fordyce, Featured Alum, producer). Another bowl of Meander Cat Stew, another Christmas ruined by Ernest Borgnine, another foot chewed off to fit the slipper . . . performed to the edges by Peck Phillips.

Pain Perdu, by Kirk German. A toast to the French.

Tonight we present five shows from earlier this week--four chosen by our panel, and the fifth by audience vote, as the shows they would most like to see again.

Violet Crown: Dog's Town, by Larry Mitchell (Theatre en Bloc). Set in the 'No Kill' city of Baustin, TX, this is the story of one dog's journey through a city of dog-loving people. Through shadow puppets, song, and a touch of rustic magic, this new folk musical examines life through the point of view of an animal in a human's world.

My Little Monster! by Rhonda F. Kulhanek. One crazy mom, a far-from-perfect daughter, a typical middle son, and a mischievous little monster…the ups and downs of raising kids in the 70’s.

Spacetansmananagasm, by Zeb L. West, with music potentially by Justin Sherburn. A one-man, puppetry, rock space opera! Check ignition, and may God's love be with you.

Dish, written and performed by Catherine Berry. A Spalding Gray meets Carol Burnett style monologue featuring celebrities, obscurities and pine nuts.

The Chronicles of Felsdspar, by Zach Muhn and Alan Metoskie. From the icy wastes of Chicago thunders The Chronicles of Feldspar! More than just a sketch show, this is the flagship for a multi-media comedy project from the minds of Austin ex-pats Zach Muhn and Alan Metoskie. Watch the principle characters, Feldspar and Spidertooth laugh, cry, sing and dance their way through the fantasy world of Glorion. FeldsparAndSpidertooth.org for more!